Writing is a (good) mess

There are many myths about writing – mostly formulated by non-writers – that make beginners feeling there is something wrong with them. Many people think that writing a novel is all about having a moment of inspiration, and then it’s just sit down and write it from the beginning to the end.

This leads most of young writers and aspirants to think that if they are writing and facing problems, they (or their story) aren’t good enough.

No problems, no story

Let me tell you this: that idea is very far from the truth. Facing problems and solve them is a natural part of the process. If you write a full novel without facing any problem… Well, you’ll probably want to look at it again, because that’s very odd.

It can be something in the plot, a character that doesn’t seem that real, or some technical imprecisions with any detail. There is always something that can’t work as we thought.

Our imagination works faster than our logical thinking. Said so, the most normal is for you to have to deal with a few loose ends.

And why not?

As frustrating as it can be, the truth is that there is no point in doing it on the first try. Your readers will have no idea how many drafts you made or how hard it was the whole process. All that matters is the final version. The one that gets to the bookshelves. And between the first draft and that version, there is a lot of messy work.

You’ll find a tremendous amount of problems to solve (with characters, style, rhythm, the conflict itself). So many different things can be a problem in your novel. And of course, your personal life will not stop because you’re trying to write a book, right? For example, in my case, my daughter doesn’t stop being four years old and behaving as such, because it would help me.

You must imagine good, vivid, exciting scenes and then put them into words – beautiful and interesting ones. This can’t be done in one try! You’ll write and rewrite most of your scenes several times. You go back and forward in your story dozens of times. Many projects will be abandoned, and even more, will arise.

You’ll read hundreds of stories from other writers to analyze them and learn from them. And let me tell you, most of the time, you’ll get desperate, thinking that you’ll never be able to write like them.

Just do it again!

You face so many problems, so many issues in the process of writing, that no one could ever imagine! The only thing to do is to keep going. Keep trying. Write it again. Change everything and start over if you need to.

Writing is a long, somewhat complicated process that can drive you crazy sometimes. Yet, there are good news! You can do it and undo it as many times as you need, and no one needs to know about it.

Sharing your writing: what a scary thing to do!

One of the greatest pleasures of writing is solitude and peace when you’re doing it. Yet, at some point, you’ll need to share your writing with the world. That’s scary, but it’s also a good thing.

Sharing will give you some feedback from different people on your work. This feedback might be useful sometimes (others not so much, unfortunately) for you to improve and grow as a writer.

With sharing, comes…

When you share your writing, you’re putting yourself outside for the whole world to see. That brings bad and good stuff. That’s why sharing what you write is the biggest fear of most writers, and that’s normal. No one likes to be criticized, and you can end up hurt. So, how to deal with it?

First of all, share your writing only when you’re ready to do it. This way, you’ll be stronger to face whatever comes in your direction.

Then, there are so many things you must keep in mind. Let’s see, one person’s opinion is exactly that. It’s one person’s opinion. Writing is a form of art, and art is very subjective. The appreciation of a book depends on the readers’ personal preferences and experiences. Those will help them to identify themselves with the characters, the environment, the dilemmas.

Besides, in the end, it’s always your decision. If you believe in your manuscript, if the criticism doesn’t make sense for you and you’re sure it’s good, then go ahead! Remember that many famous successful novels had been rejected several times. Eventually, someone accepted to publish them.

Sharing options

Waiting for a big publisher to find you is definitely not the best course of action. Before you go for a big publisher, you should have already shared your writing to get feedback. Other people’s opinions and notes might help you to improve your work. Never forget.

You have many options to do this. Start by sharing your writing with your relatives and friends. Keep in mind that they are not exactly impartial, but it’s a good start.

Create a blog and form a writer’s group. In the first one, you’ll have the possibility to reach more people. With a writer’s group, you’ll probably get more “professional” opinions. Also, it is excellent feedback about the styles and tools you may use.

And, of course, you’re not stuck with publishers, remember? You can self-publish your work. Don’t be afraid of doing it. Magazines are also a good option, especially for short stories. Do some research, look at magazines, and find the ones that publish some work similar to your own. Look for their “guidelines” for submission and try it!

Confidence and Courage

Be brave! It is tough to deal with criticisms. They can be cruel. Yet, if you want to be a successful writer, you must get used to it. Listen, evaluate their worth, and move over. Use the good ones to improve, and ignore the others.

Be prepared and stay strong.

Organizing your ideas – Scenes

Random ideas are a fantastic way of training your creative ability, but they are not a story. You must organize them. How? Into scenes.

It’s a prevalent problem for beginners to organize their ideas into scenes. What is, indeed, a scene? Where does it end? How can I make it enjoyable?

I had been there myself, and after a lot of research, I found the better answers in Randy Ingermanson’s blog (I’ll give you some links at the end of the post). He taught me something that I already was able to prove to myself: even a weak plot can be an interesting book if you have good scenes.

Scene’s characteristics

The scene is the tiniest piece of your novel – such as a musical note within a song. It occurs in a delimited space of time in the story (minutes or hours usually).

One of the major problems for young writers is the length of it. Well, some writers put an average word limit, such as Randy himself. I don’t, but if the scene is getting too big, then something is definitely off.

A scene focuses on one character of your book, but not necessarily the main one. It has to have a clear beginning and end.

Types of Scenes

Something surprised me about Randy’s posts, and it can be quite frustrating, I must admit. It is the fact that after you read this, you’ll notice that many of your scenes weren’t scenes at all. Confusing?

Randy divides the scenes into two types: proactive and reactive. A proactive scene has the sequence: goal, conflict, setback. The reactive scene is about reaction, dilemma, and decision. And that’s it.

I could try to explain each one of them, but I believe that nothing better than his own words to explain this.

Proactive Scene

“When you start writing a proactive scene, do it at the point in your story when it’s natural to establish the focal character’s goal for that scene. Quickly establish that goal, and then spend most of the scene working through the conflict of the scene. Eventually, you’ll hit a critical point. This is usually a setback (in which the focal character fails to achieve her goal and is now worse off than before.) Occasionally, it will be a victory (in which the focal character achieves her goal and is now better off than before). Once you’ve hit that critical point, the scene is over. Start a new scene.”

Reactive Scene

“When you start writing a reactive scene, it should normally follow closely on the heels of a setback in a proactive scene. The point of a reactive scene is to give the focal character a chance to react emotively to the hit she’s just taken and to switch directions. Start out with that emotive reaction and let it run its course (usually a few paragraphs or a page at most). Then take your character into a dilemma—what to do next. There should be no good options. If there is a good option, it’s not a dilemma. The dilemma may take quite a while to work through. The focal character has only bad options. Explore these and reject them, one by one, until there is only one acceptable course of action. That’s your focal character’s decision and the reactive scene is now over. Start a new scene.”

Towards Perfection

Scenes are probably the most critical part of your book. They are responsible for your readers to keep reading. They need to catch attention and keep the interest in your story and your characters.

Good scenes make a mediocre plot shine. Bad scenes ruin the most perfect novel.

To read more about the topic, visit Randy Ingermanson’s blog on the links below.

Writing the perfect scene

How do you know when to start and end a scene?

Working with Point-Of-View

When you decide to write a story, you must determine who is going to tell it. At this point, you start thinking about point-of-view (POV). What would be more interesting for the reader? Generally speaking, there are two possibilities, telling the story in the first person or telling it in the third person.

After that decision, it’s time to get to the details. If you go with the first-person option, who would be the one telling the story? Why?

Even if you choose to have an external narrator to the story (third-person), you must decide if he would be omnipresent or follow a specific character or group of characters. Perhaps, your narrator is trapped in one place and can only observe what’s happening there.

First-person

This is, usually, what I prefer for my novels. You choose one character, and he or she is the one telling the story.

The benefits are in the emotion and the connection with the reader. The reader accesses the interior monologue and emotions directly by your character’s voice. This way, you make your reader build a very close relationship with one specific character and see the whole story through its eyes.

On the disadvantage side, you only access to his own thoughts and emotions. You see what he sees; you listen to what he listens… and nothing else. You have no clue about who the other characters are or what they are thinking, except through the interpretation of your narrator’s character.

Third-Person

In the third person, you have a completely different narrator and options. The narrator is someone outside the story, telling what is going on.

With the third-person point of view, you may also have interior monologue and emotion, but its told by a different person from the one having the feelings. This gives you the possibility of summarizing some thoughts, which might be the best course of action at some points.

A fascinating advantage of this POV is the fact that you can use your own voice to tell the story instead of using your character’s voice. When you’re using someone else’s voice, you have to focus on what he or she would think, how would that specific person tell this or feel that.

More important, your narrator can see and know everything about everybody. The omniscient narrator knows things that none of the characters know yet, and that can be a very interesting way to explore the story in some genres.

“Head-hopping”

Head-hopping is a technique inside the first person category, and it’s surrounded by controversy. This technique is about switching POV characters within a single scene.

Many writers defend that this will be a less powerful emotional experience for the reader. This group claims that first-person POV is about seeing the scene through the eyes of a single character, see what he sees, smell what he smells… In short, the reader interprets the world through his eyes.

However, other authors believe head-hopping can make the emotional experience even more powerful. You have access to the most profound thoughts and feelings of a character, but you are not limited to one single character.

I, personally, don’t have a definitive opinion about it. I tried it before, and honestly, it didn’t work. Nonetheless, I like the idea of being able to give voice to multiple characters about a specific event, while it’s happening. So, I believe that, if well-done, it can work perfectly for some stories.

Which one is the best for me?

Choosing the right POV is vital when you’re writing a novel or short story. Yet, it’s not an easy thing to do. You must have a good knowledge of each option and train with each one of them. It’s essential to be comfortable writing in both first and third person. Otherwise, you’ll be limiting yourself.

Other than that, it will depend mostly on the story itself and on how do you think it should reach your readers.

My advice is, if you are not sure about which POV is better for your story, then write a few scenes from each POV and see what feels right for you.

Procrastination: some tips to keep you motivated in your writing task

Procrastination is a common problem in any area. Many of us have to fight hard to find ways of motivating ourselves to finish what we start. It can be a tough task, right?

You may feel frustrated every time you hear, “Well, you love it. If it is your dream, why don’t you do it?” The answer is quite obvious: because of life! Life happens. Things get in the way, and at the end of the day, you feel exhausted.

As a writer, especially if you have another job (which most of us are forced to, unfortunately), this is especially true. However, with the right mindset and dedication, it’s possible to overcome procrastination. How? I have some tips to help you.

Commitment

First of all, commitment. The truth is: how many times do you get up in the morning, and the last thing you wanted was to go to work? But you go anyway! You must do the same thing with writing.

You may be tired or not in the mood. Go for it anyway. Don’t wait for inspiration, sit, and write something. If you want to be a writer than writing is your job.

Less is More

New ideas are exciting, and they make us want to follow them immediately. It’s a trap. Take notes of all the new ideas you have in a different document or a notebook, and stick to your job. Having too many projects at the same time will end in no finished projects.

Plan

An outline will help you to avoid a moment when you don’t know what to write. Check the post Planning: a story is more than an idea to know more.

Goal

Keep your goal in mind, even in those moments when you don’t want to write. The path is hard, but remember, finishing the book is, by itself, a tremendous success.

Some authors are focused on what comes next and get scared with all the problems with publishing and marketing. Just try to ignore that for now. Focus on one step at a time. Allow yourself to feel the satisfaction of finishing your project, and then you worry about the rest.

Training

It is, indeed, a matter of training. Human beings can do amazing things, but they have to train for it. It’s the same with writing.

Force yourself at writing a minimum every day (might be in minutes, or the number of words, as you prefer), and in no time, it will be part of a routine, and it will become easier.

I don’t have the time!

The lack of time is probably the most common problem for any writer. It’s challenging to find a break in your schedule, but with some planning, you can do it.

Let’s try something for a week. You write down everything you do during the day, and the time you spend on each thing. Mainly focus on those things you do every day. Then find holes, find things that you can cut out, or at least, spend less time with them. Even 10 minutes, it’s better than nothing.

Try to use that time you got for a couple of days. If it works, perfect! Doesn’t it? Try again. If writing is that important to you, you’ll find a window in your schedule. It’s a matter of priorities.

Always remember: “A professional writer is an amateur who didn’t quit.” (Richard Bach). So, don’t wait for the perfect moment or idea, just go for it.

Planning: a story is more than an idea

When you start to think about a story, what you usually have are some episodic ideas. Despite their quality, those ideas are not a story, even less a novel. Those need a plot and a structure.

I’m not saying that your ideas are not necessary. Every time you have an idea, you should take note of it with all the details, situations, and pieces of dialogue. It might be useful when you have the actual story. Some of those ideas you’ll use, some you will not. You’ll never know which ones are good enough at the moment they occur to you, so write them all down.

Major steps of planning

Writing a good story or novel takes some planning. Planning a good story takes some hard work.

When preparing your story, make sure you have all the main points worked out before you start writing the first draft. For that, you can’t neglect four important steps.

1. Know the genre

First of all, you must know the genre you’re trying to write in. There is no other way of doing this than read a lot of books in that genre. Study them.

Observe their structure, realize what they have in common, the distribution of the scenes, the rhythm. Try to find out why is the book interesting (or not). The most you know about it, the better.

2. The conflict

No conflict, no story. The most critical part of your story is the conflict. It is what makes your audience interested and catch your readers.

There is no story without a conflict, which makes it a massive step towards your goal. Take all the time you need in it. Do some research on tips and good practices. The conflict is the center of everything, and you need to think carefully about it.

3. Organize your ideas

Remember those ideas you wrote before? The ones that came into your mind in the most unexpected places? That’s right. It’s time to get and organize them.

Reread what you wrote, improve the best ones and try to see where (if) they fit in. At this point, you are already working on the actual structure of your story. Start choosing what goes in each chapter.

4. Go deeper into each scene

Before you start writing the first draft, retake a look at your former ideas. At this point, the best ones should already be scenes for your chapters.

Observe what you have now very carefully, and go deeper into each scene. Add descriptions, dialogues, and other essential details. That will make your life easier when it comes to the time to start writing.

Outline

Outlining your story is, without a doubt, a great help. There are, nonetheless, authors that refuse to use an outline. Well, that’s okay, it’s not exactly mandatory, but it will definitely, make your work faster and easier.

With an outline, you can try ideas, explore them without making them permanent. It allows you to explore more without so much commitment.

The outline gives you the possibility of not being stuck at one point. You’ll always know what to write next, and as you’re writing, new ideas will keep coming to your mind. All of them help to turn the original plot even richer.

Inspiration is hard work

Many people think that a great writer has a stroke of inspiration, sits down at his desk and write the next Nobel Prize nominee. That’s far away from the truth!

Inspiration is the fruit of several months (sometimes years) of hard work. The good news is that, in the end, you might have that masterpiece after all.

It’s time to publish!

After studying all the possibilities within your reach, you probably still feel like you have no idea what to do with your manuscript. You are not sure how to choose the publishing method that really fits you and your work.

That’s completely normal and you are not alone. It’s a tough decision with no right answer but there are some topics you should think about that might help you make that choice.

Validation

When you are an author, you’d like other people to recognize you as such. It’s actually your right, but that doesn’t always happen.

Writing is not the kind of job that makes it easy for you, and the way you publish might help or harm your image. The truth is, there are still many people who will not consider you a “real author” if you go with self-publishing.

Sometimes, even the authors themselves have these kinds of thoughts. So you must think about how each option would make you feel about yourself. You need to feel confident in order to give it your best while writing. From where I’m standing, this is crucial.

Entrepreneurial

Let’s face it: self-publishing is hard. You must have the kind of personality, full of willpower and entrepreneurial spirit in order to succeed at it. You’ll probably need to hire some professionals to help you, and still do a lot of the work yourself. If you are not that kind of person, you should consider having a publisher to see your work forward.

Pressure

Pressure might be good or bad depending on the circumstances and the way you deal with it. Having a publisher that gives you deadlines might help avoid procrastination. On the other hand, you may feel blocked by the pressure that builds up.

If you like to have more control over your schedule, the design of the book, etc, a big publisher might not be the best option for you.

The rhythm of production

How productive are you? How many books do you write in a year? How regularly do you want to publish?

These are very important questions. Self-publishing authors recommend that you publish at least 3 or 4 books a year. However, in the case of traditional publishers, they will not let you do that. According to them, you’d be adding unnecessary competition to your work, since you’d be competing with yourself.

Convenience

Again, with self-publishing, you have a lot of work and most writers “just want to write”.

Well, let me start by telling you this: those are unrealistic expectations. You’ll never be just writing since there is a lot of work to do other than the writing itself. It will, however, be significantly reduced, if you choose the option of a traditional publisher.

Instincts

You know yourself better than anyone else. Follow what feels best for you.

Marketing Issues

This might be a major problem for any author and raises bigger questions. So, first of all, let’s face it: you’re gonna be doing it anyway, so it’s better to be thinking about it from the very beginning. The publisher will help you when your book is doing well already, but in the beginning, marketing will mostly be your responsibility.

The Indie author has more profits from each book, so this is probably an advantage. This sounds weird, right? The publishing business is never to help the author. There are many valid reasons to find a good publisher, but if you go there for the money, then you’ll be disappointed.

Royalties are paid every 6 months (sometimes once a year), and most of the time you don’t have any. Publisher expenses cut the check and usually, a publisher just pays you when you reach a certain threshold. This way, probably, all you spend in marketing is gone.

Self-published authors lose a lot of money too, but if you sell a single book, you’ll receive the value for it.

In any case, marketing is always the worst part of the process, you really need to believe in yourself, your work and its quality. A little bit of luck will likely prove critical as well.

Publishing: what a nightmare

 

We had talked before about how difficult the “publishing step” might be, the problems with the publishers, the doubts… should I choose self-publishing? Online? Should it be a physical book or just an ebook? Perhaps both?

When our story is done, the worst part of being an author begins. And many times, you don’t even know all the options or even understand them and all their nuances. So I researched a little and tried to make some sort of summary of each option together with its pros and cons.


Traditional Publishers

When I started writing, this seemed to be the safest course of action, but is it really? Let’s see.

We all probably understand that it’s a huge step to get published by a big company, one that everyone knows. That will be good on your resume, maybe change your life as a writer (trust me, not exactly), but it’ll definitely make you feel great about yourself! Yes, you are allowed to feel that. Competition is hard and you still got it. It’s amazing. So the pros are probably easy to understand, right?

So now, let’s focus on the cons. You’ll face many problems with them. First of all the great amount of rejections that seem, so very often, to come down to a very unfair decision, especially in the giant publishers, where you’ll probably receive a rejection form which just goes to show you that they don’t read more than a couple pages or perhaps even the synopsis (if they read anything at all, you’ll never quite be sure).

They still rely on you for the marketing of your own book. Yes, it’s true. If you are as naive as I was, you’ll probably be thinking that it’s their job to promote the book, right? It’s the best part of having a big publisher on your back, you’ll have more visibility. Unfortunately, that’s not necessarily true. I mean, they will promote your book, IF, it’s already going well…

And, let’s talk about those contracts… You usually receive an advance for them to publish your book (they are smaller and smaller nowadays), you are the one in charge of the marketing, as we have seen in the previous paragraph, and there is, almost always, a clause to the contract that stops you from publishing with another publisher form a certain amount of time or that all but forces you to give them your next book. You probably don’t want this…

In any case, I still think that they can make a real difference in your career, especially with a little bit of luck to dodge any of the worse contracts. So, if that’s what you want, you probably need to put yourself out there. One of the best things you can do, conferences, also have a downside to them. They are amazing opportunities to connect with other writers and publishers, but they tend to be expensive, so it’s something to think about carefully.

 

Self-publishing

Self-publishing has been growing in the last decades, mostly because of all the problems and difficulties I mentioned above with traditional publishers and especially the lack of opportunities.
What most authors say is that they have more control over their work and they receive more for each book they manage to sell. Even if they sell fewer books, sometimes it’s financially better anyway and thus an appealing choice.

Obviously, it also has plenty of cons too. First of all, the prejudice: for many people, if you go for self-publishing, this automatically means you just weren’t good enough to make it in the traditional environment. Promotion is also a problem, but it is a problem in any case…
With all the evolution surrounding it, you have now so many different options and platforms that can help you do this online (Amazon, B&N, Apple, Kobo, Google Play, etc…)

 

Vanity Publishing

There was a time that vanity publishing was considered self-publishing, but there is a huge difference between them. In vanity publishing, you pay someone to publish your book. You take all the financial risk, the other person has the work and, obviously, a cut of your profits.

As you might imagine this is an amazing open ground for abuse of the system, in a myriad of ways. First of all, because of the way the profits are split and some other details such as not caring about the costs, they never end up conducting a good market study to prevent spending unnecessary and frankly absurd amounts of money.

Many people have tried this kind of publishing, but almost every author will tell you: it’s a terrible idea.

 

Hybrid Authors

This kind of publishing choice is very simple to understand, the same author has some books traditionally published and others self-published. Technically it’s the best of both worlds, but sometimes, you might face problems due to the publishers’ demands for exclusivity.

 

Small Publishers

This must sound the same as traditional publishing, but I decided to separate them because there are some significant differences between publishing with a small publisher or publishing with a big company.

Small publishers have few employees and usually give more attention to new authors. Besides, most of the time, they give you better royalties on e-books than bigger publishers.

However, there are fewer and fewer of these small publishers, they seem to be disappearing as more and more authors go for the self-publishing.

 

E-books and Print-on-Demand

They are two different things, but I put them in the same category because they both have no costs for you and most of the authors that go for these options, decided to do both of them.

The e-books, as you probably know, are sold and delivered electronically. Despite the fact that many writers still prefer the physical paper book, for some fiction categories, most of the sold books are e-books.

Many times, the author gives the readers the opportunity to get the paper book, through the print-on-demand option, meaning that the book will be printed only after an order is placed, which makes each book costs a higher amount than it would otherwise have to, but there are zero risks involved.

The publishing world is changing fast and the options tend to grow with all the technological advancements in our society. Keep updated and choose what best suits you and your work.

No conflict, no story

The conflict is the center of any story. You have a conflict, and subsequently a story but NEVER, ever, the other way around.

When you’re thinking of writing a story, the first thing to think about is the conflict and your plot is to be built around it. If there is none if it seems not to be ideal for whatever you were imagining, then think again. You might not have a story there.

Usually, you have this sort of structure: you have a main character that has a goal, but there is something keeping him from reaching it, a problem to solve, then your character will take action to solve the aforementioned problem, usually other issues and difficulties will be showcased along the way (most provoked by his actions to solve the first one, the big one), then he solves the main problem and the story ends. Simple.

The “problem” might be something as simple as an argument, unrequited love or someone just trying to sabotage your character. It doesn’t need to be (but could very well be) a world-changing problem.

So, how to do it?

It’s actually quite simple and you don’t need to have a tremendous epiphany to start. Usually, when you’re thinking about a story, you have a character in mind. Now, think about a goal for that character. Something that makes them move, tick, or something they otherwise want very much.

Now, the problem. What will actively try or passively keeping him from reaching that goal? Or who? How? What is going to happen?

Now that you have the main part, you just need to think, about what your character is going to do to solve the problem or get rid of their obstacle. These actions will most likely raise new problems and new actions need to be taken to solve them.

And, with this, the hardest part of your job is done! Next, you develop your scenes, starting from this last point onwards to the main goal.

How should I present myself?

If you want to be an author, this is a question which you’ll sooner or later you’ll have to deal with. The name you choose might make a huge difference in the success of your body of work, even if you’re not aware of it, and the most important thing is that you should never change it. It’s your brand, for the long run, so you must choose wisely.


Nowadays, this is an even more difficult task, since you have to think about not only the name as it will appear in the published book, but also in social media and the increasingly fundamental website or websites that back it up. They will help you establish your own brand and they are quite important marketing tools.

So, choosing your author name might be a huge problem without a single specific and correct answer.

Three different platforms, three different names. Now, put them together.

According to Randy Ingermanson in his amazing advancedfictionwriting.com, there are 3 different situations you must think of, before choosing your name. Let’s think about each one of them.

Published books

Unless you want to use an alias, you probably are thinking about using your real name, even if you need to make some alterations to it. There are many names that are common, so if you’re using your first and last name, there is a big possibility of finding another author with the exact same name.

As much as you dislike it, this, usually, is not a big issue, unless we’re talking about an extremely famous author or if you both write the same exact genre. In these cases, you might consider using another name.

Social Media

The name you choose to use on social media doesn’t have to be exactly the same as you use for your published books, but should obviously be related and clearly identifiable as being the same person. That said, you might change a few things that don’t make you go off-brand and remember, short strong names tend to work best on social media platforms.

Website

There is another problem. You must have a website, as it’s quite important for your brand and work. In my opinion, for the website domain, you should have the same name that appears in your published books. However, that might need some adaptations.

It’s important for it to be easy to write, when you listen to someone mention it or hear it on the TV, without needing anyone to spell it out for you and without too much confusion between similar words.

 

After this, I’m pretty sure you have a lot to think about. Just pay attention at each of the things you must consider and try to find a good in-between that works for you. You’re a writer, think of it as another creative task and I’m sure you’ll figure it out!

This blog serves the purpose of helping all of those who likes to write to get technical information as well as, having a safe harbor to discuss ideas.

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